Once he comes to Boston, we see him only in situations that involve his obsession with vengeance, where we learn a great deal about him. Having just ended over a year of captivity by the Indians, his appearance is hideous, partly because of his strange mixture of "civilized and savage costume. He is small, thin, and slightly deformed, with one shoulder higher than the other. Although he "could hardly be termed aged," he has a wrinkled face and appears "well stricken in years.
The governor, shocked at Pearl's vain and immodest costume, challenges Hester's fitness to raise the child in a Christian way. He asks Reverend Mr. Wilson to test Pearl's knowledge of the catechism. Pearl deliberately pretends ignorance.
In answer to the very first question — "Who made thee? Wilson are immediately ready to take Pearl away from Hester, who protests that God gave Pearl to her and that she will not give her up. Pearl is both her happiness and her torture, and she will die before she relinquishes her. She appeals to Dimmesdale to speak for her.
Dimmesdale persuades Governor Bellingham and Mr. Wilson that Hester should be allowed to keep Pearl, whom God has given to her as both a blessing and a reminder of her sin, causing Chillingworth to remark, "You speak, my friend, with a strange earnestness.
Hester refuses the woman's invitation to a midnight meeting of witches in the forest, saying she must take Pearl home, but she adds that, if she had lost Pearl, she would willingly have signed on with the devil.
Analysis This chapter brings back together the major characters from the first scaffold scene — Hester, Pearl, Dimmesdale, and Chillingworth — as well as representatives of the Church, the State, and the World of Darkness.
Note, too, that underneath the surface action, Hawthorne offers several strong hints concerning the complex relationships of his characters. In Hester's appealing to Dimmesdale for help, in Pearl's solemnly caressing his hand, and in the minister's answering kiss lie solid hints that Dimmesdale is Pearl's father.
Hester calls on her inner strength in her attempt to keep Pearl.
She argues quite eloquently that the scarlet letter is a badge of shame to teach her child wisdom and help her profit from Hester's sin. However, Pearl's refusal to answer the catechism question causes the decision of the Church and the State to go against her.
Now Hester's only appeal is to Dimmesdale, the man whose reputation she could crush. Pearl once again reveals her wild and passionate nature. In saying that her mother plucked her from the wild roses that grew by the prison door, she defies both Church and State.
While such an answer seems precocious for a small child, the reader must remember that Hawthorne uses characters symbolically to present meaning. Pearl's action recalls Hester's defiance on the scaffold when she refuses to name the father of her child.
The dual nature of Pearl's existence as both happiness and torture is restated in Hester's plea, and this point is taken up by Dimmesdale. The minister's weakened condition and his obvious nervousness suggest how terribly he has been suffering with his concealed guilt. Nevertheless, Dimmesdale adds to Hester's plea when he states that Pearl is a "child of its father's guilt and its mother's shame" but still she has come from the "hand of God.
The minister argues that Pearl will keep Hester from the powers of darkness. And so she is allowed to keep her daughter. Those powers of darkness can be seen in both the strange conversation with Mistress Hibbins and also in the change in Chillingworth.
As if to prove that Hester will be kept from the darkness by Pearl, Hawthorne adds the scene with Mistress Hibbins. Wilson says of Pearl, "that little baggage has witchcraft in her," Hester says she would willingly have gone with the Black Man except for Pearl.
These dark powers are also suggested by the fourth main character, Chillingworth. The change noted by Hester in Chillingworth's physical appearance, now more ugly and dark and misshapen, is a hint that in the scholar's desire for revenge, evil is winning the battle within him and is reflected in his outward appearance.
That Chillingworth is Dimmesdale's personal physician: Chillingworth's comment on Dimmesdale's strange earnestness and his statement that he could make a "shrewd guess at the father" suggest that he may already have decided on Dimmesdale's guilt. The battlefield has been marked: The forces of light and darkness are vying for human souls.
He ordered the translation of the Bible, now called the King James Version. John the Baptist the preacher who announced in the Bible the coming of Jesus. He was beheaded by Herod whom he accused of adultery.Roger Chillingworth Character Analysis BY MikeDMoon In Nathaniel Hawthorne’s novel The Scarlet Letter, the character of Roger Chillingworth was transformed from a well educated scholar into a fallen, unrighteous man.
Roger Chillingworth was once kind, then becomes the symbol of vengeance, and finally becomes the personification of . The Scarlet Letter By Roger Chillingworth Essay - Trey Hill David Camp AP English 11 Date: 10/10/15 The Scarlet Letter: Roger Chillingworth In the literary classic, The Scarlet Letter, readers follow the story of a Puritan New England colony and the characteristics of that time period.
A summary of Motifs in Nathaniel Hawthorne's The Scarlet Letter. Learn exactly what happened in this chapter, scene, or section of The Scarlet Letter and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. The intellect of Roger Chillingworth had now a sufficiently plain path before it.
It was not, indeed, precisely that which he had laid out for himself to tread. Chillingworth’s words and actions during this exchange between the two, along with his unusual, and almost disturbing outer appearance reveal his cold and vengeful inner nature, presumably foreshadowing his ultimate role in the story itself.
Free Essay: Roger Chillingworth is The Scarlett Letter’s main antagonist and is seemingly the embodiment of evil. With every mention of the character.