An analysis of use of symbolism and irony in the viking sagas

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An analysis of use of symbolism and irony in the viking sagas

Gylfaginning says Buri is first man whose son was Bor. Odins father was Bur son of Buri. Buri - Boru Boerue means wolf in Turkish. Wolf Warrior in Valhalla: In Old Norse texts, Odin is depicted as one-eyed and long-bearded, frequently wielding a spear named Gungnir, and wearing a cloak and a broad hat.

He is often accompanied by his animal companions the wolves Geri and Freki and the ravens Huginn and Muninn, who bring him information from all over Midgard and Odin rides the flying, eight-legged steed Sleipnir across the sky and into the underworld.

Wolves Geri and Freki. Ravens Huginn and Muninn. Odin as a king from Tyrkland to Scandinavia. Each family had a pair of oxen and a cart "eight-legged Scythians"which served as her permanent home.

The wagon people were born, lived, worked and died there. The men traveled on horseback, and the women ran the wagon, which were their children and all the family's property was. THESE COMMON information, which was consistent down to the smallest detail, forced Lukman to conclude that the Huns not only traveled north but actually established itself as a ruling elite in Scandinavia even before Attila's time, and they stayed in the area until Attila's son and successor Helleacs ie Helge defeat against the Ostrogoths inwrites Lotte Hedeager Kurum supposes Germanic runes and Gokturk have both stemmed from a common ancestor in a very remote past.

Greek myth preserves a memory of the German Heraclides that had moved to the region north of the Crimea after the impact of Typhon.

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We have seen the social intermeingling at the verge of forest and steppe throught the eyes of Heredotus who described the Germanic peoples, which he called the Budini, along with the Turkich Scythes, and the Sarmatians who comprised Scythian males and Finnish females called Amazons who spoke the language of Scythia, but not well according to Heredotus The king of the white elves of Alfheim was Freyr.

These elves practiced the metalworking skills of relatives called the black dwarves of gnomes of Swartalfheim. It was the same dwarfish forges that produced bronze thousands of years before that would now produce iron.

When Odin returned from the East he would bring with him smelting and forging methods that involved the use of hardwood charcoal. Od in Turkish means "fire", odun means "firewood".

Odin the Ygg was the "good young firewood". After his return to the West, Odin would also learn things that he had forgotten from his blue-eyed, blond-haired Jotnar cousins who stayed in the Scandinavian highlands.

From a Volva, Odin learned how to brew beer again, and he doubtless learned some of the ancient meanings of the runes. The word Yggdrasil, the Nordic Tree of Life, is a cognate with the Turkish words Yigac asil, meaning "noble main tree".

This, like Tengri, was likely a contribution from Germanic to Turkic unless it is a case of convergent evolution with the roots coming from a common earlier ancestor in Eurasian.

As we have seen Ygg comes from Ing. The tree of life in Norse legend refers to the first male mortal, Ask, who was fashioned from an ash tree. Two ash trees are actually involved in Norse tradition. The rowan or mountain ash, Sorbus aucuparia, gave us the Norse word runa meaning "charm", Swedish word ronn meaning "red" as in its red berries.

Ash as in Asgard refers to the "center post" or "king post" provided by the true ash tree, Fraxinus excelsior. Neither of these ash trees occurs naturally in the East. In the West it would be the oleaginous true-ash-tree that would used to give the highest heat for the purpose of metalworking and would become the "noble main tree" of life for Odin leaving the rowan in the lurch, the icon of a failed religion.

We have proposed that the union of the twenty-two character Futhark symbols occured just before the Germanic sojourn to the East. The runes from Yr to Ing represent the ten runes of the older calender, Ing being Njorth.

Njorth is associated with the beginning and the end of the calendar year. The runes from Feu to Jara represent the twelve-month zodiacal calendar, imported from Sumerian tradition. Jara is known as Freyr's rune. In Icelandic Freyr is called the year god and is associated with the beginning and the end of the calendar year.

Freyr bore the title of Yngvi or Ingunar so he was Njorth for the new age. Herein we have the basis for the alphabetical symbol set of twenty-two characters. But the modern Futhark set contains twenty-four symbols rather than twenty-two. Turgay Kurum solves this riddle as well. Turgay Kurum has read the oldest extant Futhark twenty-four character rune row from the ylver stone in stanga, Gotland.In his study, Scheller, through an analysis of pictures of French coronations from such diverse sources as ordines and histories, isolated three broad genres of illustration: factually narrative, condensed, and emblematic images.

Kingship in the Viking Age – Icelandic Sagas, Anglo-Saxon Kings, & Warrior Poets August 23, ThePostgradChronicles 12 Comments The Germanic king or lord as the dispenser of treasure, the ‘giver of rings,’ is a familiar image. This sort of analysis of the evolution of men’s appearance and character is not new.

It is something that preoccupied various writers early in the 20th century. There was a widespread conviction that a great change had taken place in men, though people couldn’t agree on what it was or when it had happened.

An analysis of use of symbolism and irony in the viking sagas

By Jason | T+ October 21st, | Categories: Podcast | Tags: Dragons, Medieval, Norse Sagas, Ragnar Lodbrok, revenge, Saga, Scandinavia, Vikings | The tale of Ragnar Lodbrok, legendary Viking king and main character of the History Channel series "Vikings" and the many women in his life you absolutely do not want to .

Main characteristic is element of magic - witches, magical animals, wizards, talking animals. Usually follow a pattern and present an "ideal" to reader; Use of the "magic three" motif and good always wins over evil. Also uses STEREOTYPING.

The eddas and sagas were an inspiration to a long succession of later British writers of whom Walter Scott, Thomas Gray, William Morris and W. H. Auden are perhaps the best known.

Series | Northrop Frye (Fonds 11) | Special Collections | Collections | E.J. Pratt Library